British singer LEONA LEWIS has been awarded the Kylie Award for Next International Crossover at the 2008 NewNowNext Awards, which celebrates gay pop culture. The event will take place in New York on 7 June (08).
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Saturday, 31 May 2008
Leona Lewis - Fascinating Fact 5345
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Friday, 30 May 2008
Djivan Gasparyan and Erkan Ogur
Artist: Djivan Gasparyan and Erkan Ogur
Genre(s):
Folk
Discography:
Fuad
Year:
Tracks: 10
Blaze Ya Dead Homie
Sinatra Widow Snubbed At Stamp Ceremony
Frank Sinatra's widow Barbara was banned from a ceremony in his honor on Tuesday, reportedly because of a long-running row with the late star's children. A new postage stamp bearing the star's face will be unveiled at three ceremonies; in Las Vegas, New York and his native Hoboken, New Jersey, attended by his son Frank Jr. and daughters Tina and Nancy. But their stepmother, former Las Vegas showgirl Barbara Marx Sinatra, has been refused an invitation to any of the events. Family friend Bob Milang blames tension between Barbara and the children for the missing invitation, and adds that political figure Jose Serrano - who lobbied for the stamp - played a role in uninviting her. Milang tells the New York Post, "I'm upset with (Jose) Serrano because (Barbara) is a woman who was married to Sinatra for 22 years, and here she is being snubbed. I know Serrano is close to Nancy, Tina and Frank Jr. He plays dumb and he doesn't have the courtesy to return a phone call." But Serrano tells the newspaper, "The invites went out from the Postal Service. I'm not doing the inviting. I'm lucky to be invited myself."See Also
Odes Of Ecstasy
Artist: Odes Of Ecstasy
Genre(s):
Metal: Gothic
Metal
Discography:
Deceitful Melody
Year: 2000
Tracks: 8
Embossed Dream In Four Acts
Year: 1998
Tracks: 6
Rohff
Live: Los Angeles Chamber Orchestra
Kevin Puts’ new Piano Concerto, which the Los Angeles Chamber Orchestra commissioned and performed Sunday evening at UCLA's Royce Hall, puts on a good show. A young American composer with an ear for glittery textures, Puts did what he could to please an audience. And he did what he could to make things impossible for Jeffrey Kahane, the orchestra's music director, who conducted from the keyboard.Titled "Night," the concerto is in three connected movements during which busy day leads to an evening of meditative self-reflection and then the fanciful midnight hour. Out of the utopia of the night, as the composer, 36, described it during a pre-concert discussion, animals start scurrying. A concerto intended to be conducted by the soloist calls for modesty. "Night" begins innocently, with a pulse in the keyboard and lovely figuration. But before long, the pianist needs more hands than nature provides. The solo writing is virtuosic. Kahane lunged for the keys and lunged at the orchestra to give cues. Percussion lent a helping hand, clanking away at the pulse now and then. The concertmaster, Margaret Batjer, conducted when she could as well.
There are very nice things in "Night." Each movement starts out well, with the piano defying the pulse in interesting fashion. The middle one begins as a dreamy nocturne, a fantasy around off-center descending scales, each note treated by Kahane as a small pearl. The piano writing glistens. But each movement becomes increasingly derivative as it progresses. In the busy passages of "Dies Irae," the opening, Prokofiev never seems far away, and Rachmaninoff comes to the rescue in a swelling climax. For the syncopated finale, called "Midnight Toccata," John Adams' "Grand Pianola Music" showed the way. Kahane is the main selling point for the concerto. A champion of Puts, particularly in Denver, where he is music director of the Colorado Symphony, Kahane exhibited the kind of good cheer Sunday that no audience can resist. The concert began with Handel's Concerto Grosso in F from the Opus 6 set, conducted by Batjer, and ended with a brilliant reading of Beethoven's "Pastoral" Symphony. Things are looking up for LACO. Earlier this year, the orchestra made its first European tour in 30 years. It concluded its 11th season under Kahane on Sunday with playing on a uniformly high level. Beethoven's descriptive ideas for the "Pastoral" were not clever -- a day in the woods, a babbling brook, prancing peasants, a thunderstorm and the clearing of the clouds. Nearly as hyperactive here as he was in the concert, Kahane emphasized visceral playing and bright colors. As had been the case all evening, the orchestra seemed to have no agenda other than to provide immediate pleasure, and the "Pastoral" burst with life. But Beethoven always had something up his sleeve, and so did Kahane.Perhaps because he's a pianist too, Kahane the conductor has a special way with Beethoven. He articulates very clearly. He doesn't exaggerate. He relies on a beautiful tone to draw the ear. Underneath, he creates a flow that subtly prepares a listener for spiritual revelations to come.That was the case with this "Pastoral." The last movement emerges as a glowing hymn to nature, which Kahane illuminated with such warmth that the glow lingered as an afterglow. Puts' utopian night is made of inner thoughts that last as long as the music. Beethoven's utopian day encompasses the Earth and felt eternal. mark.swed@latimes.com
There are very nice things in "Night." Each movement starts out well, with the piano defying the pulse in interesting fashion. The middle one begins as a dreamy nocturne, a fantasy around off-center descending scales, each note treated by Kahane as a small pearl. The piano writing glistens. But each movement becomes increasingly derivative as it progresses. In the busy passages of "Dies Irae," the opening, Prokofiev never seems far away, and Rachmaninoff comes to the rescue in a swelling climax. For the syncopated finale, called "Midnight Toccata," John Adams' "Grand Pianola Music" showed the way. Kahane is the main selling point for the concerto. A champion of Puts, particularly in Denver, where he is music director of the Colorado Symphony, Kahane exhibited the kind of good cheer Sunday that no audience can resist. The concert began with Handel's Concerto Grosso in F from the Opus 6 set, conducted by Batjer, and ended with a brilliant reading of Beethoven's "Pastoral" Symphony. Things are looking up for LACO. Earlier this year, the orchestra made its first European tour in 30 years. It concluded its 11th season under Kahane on Sunday with playing on a uniformly high level. Beethoven's descriptive ideas for the "Pastoral" were not clever -- a day in the woods, a babbling brook, prancing peasants, a thunderstorm and the clearing of the clouds. Nearly as hyperactive here as he was in the concert, Kahane emphasized visceral playing and bright colors. As had been the case all evening, the orchestra seemed to have no agenda other than to provide immediate pleasure, and the "Pastoral" burst with life. But Beethoven always had something up his sleeve, and so did Kahane.Perhaps because he's a pianist too, Kahane the conductor has a special way with Beethoven. He articulates very clearly. He doesn't exaggerate. He relies on a beautiful tone to draw the ear. Underneath, he creates a flow that subtly prepares a listener for spiritual revelations to come.That was the case with this "Pastoral." The last movement emerges as a glowing hymn to nature, which Kahane illuminated with such warmth that the glow lingered as an afterglow. Puts' utopian night is made of inner thoughts that last as long as the music. Beethoven's utopian day encompasses the Earth and felt eternal. mark.swed@latimes.com
Grotesque
Artist: Grotesque
Genre(s):
Metal: Death,Black
Discography:
In The Embrace Of Evil (Best Of, Compilation)
Year: 1996
Tracks: 11
Jessica Simpson Slams Dallas Cowboys Fans
Jessica Simpson insists she is not a bad luck charm for Tony Romo and his team the Dallas Cowboys, and she slammed fans who believe her presence at games is responsible for making her boyfriend’s football team lose.
Devotees of the Texas team turned on Simpson after her quarterback beau Romo under performed during games when she was watching in the stands.
She was even mocked by U.S. president George W. Bush last month, when Super Bowl champions the New York Giants visited him in Washington D.C.
Bush told the team, who beat the Cowboys in a game Simpson supposedly jinxed: "We're gonna send Jessica Simpson to the Democratic National Convention."
But Simpson insists she had nothing to do with the team's bad performances, telling Glamour magazine: "I don't know - other than me wearing my man's jersey and cheering him on. And him not playing the way he would've hoped and all of a sudden I'm to blame.
"That was ludicrous. I don't understand why they think that I would be a distraction to Tony. Do they really think he can see way far up in that box? No. He's the most focused person I've ever dated."
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